DJ and music producer OFFAIAH, retains reaching new heights with each launch he unveils, and just lately, with the discharge of his monitor ‘Glad’ alongside David Penn, OFFAIAH continues to show why he’s a reputation to maintain on the radar. With the discharge reaching #1 on Beatport’s Home chart, it’s clear that ‘Glad’ is poised to achieve even increased grounds. On this unique interview, we sat down with OFFAIAH to debate the behind the scenes particulars of the manufacturing strategy of the monitor, we find out how this collaboration with David Penn happened, and extra secrets and techniques behind this simple dancefloor anthem.
OFFAIAH, David Penn – Glad | Stream
Hello OFFAIAH ! How’s it going? Congrats in your launch ‘Glad’!
Hello – thanks a lot!
To start, are you able to inform us slightly extra in regards to the story of how this collaboration between you and David Penn got here to be?
I truly ran into David Penn at a Defected get together at Eden in Ibiza summer time of 2022 and we stated we should always work on a monitor collectively – and 18 months later we made it occur haha. I used to be messing round with the vocal and thought it could be excellent to collaborate with David Penn on this concept so I despatched it to him, he beloved it and we set to work!
What’s one thing about this monitor that makes it such an efficient dancefloor hit?
I believe the vocal is fairly catchy and the entire vibe of the file screams spring/summer time pool events which makes it an ideal time of 12 months to launch this file, proper forward of Miami Music Week.
‘Glad’ evokes an infectious groove via the drums and funky bassline, what production-based strategies and methods did you use onto the bass and drums to attain the catchy groove?
I like to assemble a complete bunch of loops and samples collectively then chop bits out and paste them collectively to create a complete new loop, which is just about what I did with “Glad”. The bassline was simply one thing which was performed during which appeared to work from the off.
With this having such a traditional Home sound, we might presume some leveling of sampling was employed inside the monitor? If that’s the case, how do you normally go about sampling and how much sources of inspiration are you drawing from to execute this?
The unique pattern within the track is definitely a extra ethnic pattern at 150bpm, however I slowed it proper down and added a number of further groves to offer it that Home really feel.
The modulating, nearly Disco like synth sounds drive the file actually properly. What are your go to synthesizers to get this sound? And what parameters and results do you add onto them to get them this manner?
I’ve a number of go-to synths that I prefer to make use of, these being Serum and Sylenth simply to call a number of. There’s additionally some looped vocals that regularly come into the monitor which provides it that driving impact.
Once more, following together with the theme of this classic Home sound of this file, are there any go to musical components you included on this file that you simply assume are essential to attain that timeless sound?
I believe a very good stable melodic bassline helps when making a classic-sounding Home file, which is what we tried to attain with “Glad”. And drums need to be chosen fairly rigorously, ensuring the kick drum has that heat really feel but in addition has a variety of weight behind it.
Had been there any specific drum machines or software program that performed a big function in shaping the percussion components of the track? Do you like to combine and match pattern choices from pattern packs or program drum components from machines instantly?
Personally, I like to make use of a combination of each sampled drums and drum-machine-type percussion. As I discussed earlier than, I like to cut particular components of sampled loops and use all of them to create model new loops and as soon as that’s performed I’ll generally layer them with some type of 808 drum-machine components.
{Hardware} will be costly as of late and never everybody can afford to purchase such models. Being a {hardware} and software program consumer your self, what would you advocate up and coming producers focus their consideration on, {hardware} or within the field? Or perhaps a mixture of each?
I factor {hardware} models are all the time going to be preferable as all of them have their distinctive sound, but when money is tight soft-synths are a wonderful various, as there’s a lot you are able to do with them as of late, relying in your stage of creativity the skies are the restrict.
Have you ever used the brand new replace of Ableton Stay 12 but? If that’s the case, what new options excite you that you simply assume will make it easier to in creating future OFFAIAH tracks.
Sure, I’ve used the brand new Ableton 12 and though I haven’t had the possibility to discover all the brand new options totally, I’ve already made use of the brand new plugin “Roar” which is a superb saturation plugin. There’s additionally a variety of new midi-generative options that I need to dig into within the close to future.
What’s subsequent for OFFAIAH within the music manufacturing world? And might we anticipate to see extra future collaborations?
My subsequent monitor is named “Palms” and is out on Subjekt/Armada on March 22nd. Then following that I’ve a remix of Mike Mago – “The Present” popping out on Defected on Might third. More collabs are to comply with so watch this area!
We thank OFFAIAH for his time sharing a glimpse into the manufacturing course of behind ‘Glad,’ the time, data and expertise crafting Home hits is obvious on this manufacturing, that carries each artists’ signature sound to the forefront of Digital Dance music immediately. Ensure that to comply with OFFAIAH throughout social media to stay up to date on his newest releases and stay present dates, as he exhibits no indicators of slowing down.
OFFAIAH On-line
Web site | Spotify | Instagram
INTERVIEW: OFFAIAH Talks New ‘Glad’ Collab w/ David Penn, Music Manufacturing, Future Plans + More