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Heart Vs. Head Songwriting: How To Write Your Best Songs

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Heart Vs. Head Songwriting: How To Write Your Best Songs

heart vs. head songwriting

 

Songwriting is fantastically advanced and but easy…

I’m usually reminded when educating aspiring songwriters how easy, and but advanced, writing a music might be. It’s a phenomenal mixture of feelings, wit, willpower, and being within the second. A quite common impediment I see to nice writing is what I name “Heart vs. Head Songwriting.”

An excessive amount of emotional attachment…

When a music (let’s say a ballad) means lots to the author, he throws in a ton of feeling and emotion, however usually will get so near the subject material that not sufficient thought goes into the lyric. Subsequently, the music is weakened by a scarcity of perspective, which results in the listener to really really feel much less emotion!

Too heady…

On the flip aspect, if the music is enjoyable and uptempo, usually it’s too “heady.” It is perhaps chocked stuffed with intelligent traces and twists, however lacks coronary heart, realness, or believability. A majority of these songs usually include superb traces in their very own proper, however don’t actually contribute to creating the music “within the room” a fantastic music.

I can say the identical about writing music. In my early twenties whereas finding out music at Berklee Faculty, I discovered every kind of cool, refined chord progressions. Then I threw them into each new music I wrote! I used to be so enthusiastic about utilizing all of the data I now had in my head that I forgot to test myself: “Do these chords match the emotion of the general music?” Intellectually cool music, sure, however do you assume I received any of those songs recorded by a serious artist? No!

Songs are a finely tuned stability of coronary heart and head songwriting …

As a instructor, it’s a fantastic feeling after I see a scholar, in one in all our SongTown MasterClasses or mentoring session, get this idea. Songs aren’t meant to be Heart vs. Head. They need to be a finely tuned stability of each with every serving the grasp: the music. It took me a very long time to study to put in writing from this magical place that’s deeper than both the center or the top. It’s the nicely just under the place we draw from, a spot I name the Inventive River.

Write on! ~Clay

 

clay-mills-songtown-hit_songwriter

Clay Mills is a 16-time ASCAP hit songwriter, producer, and performer. He has 2 Grammy nominations for “Stunning Mess” by Diamond Rio and “Heaven Heartache” by Trisha Yearwood. Clay Mills can also be the co-author of  The Songwriter’s Information To Mastering Co-writing. 

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