I believe you’ll agree that studying easy methods to play guitar scales and modes is important for any trendy musician.
Studying scales and making use of these patterns to soloing conditions drastically improves your capability to improvise on guitar.
As a result of they’re vital instruments, you might have began to discover ways to play scales and modes already.
You might even have utilized scales and modes to your guitar solos.
However, if you happen to’re like many guitarists, you struggled in some unspecified time in the future to memorize scales on guitar.
This doesn’t must be the case, as you don’t must battle to study guitar scales and modes.
On this lesson, you discover ways to take one fingering, Lydian, and alter one observe at a time to create 28 guitar scales and modes.
This technique drastically reduces the time it takes to study scales and modes on the fretboard.
As effectively, it builds on earlier data with every mode, stopping wasted time within the observe room.
It doesn’t matter what expertise stage you’re at present at in your enjoying.
From full newbie to superior guitarists.
Organizing guitar scales into a straightforward to grasp system produces enormous leads to your enjoying.
This lesson reveals you the steps wanted to grasp guitar scales, perceive how they’re used, and give examples of scales and modes in motion.
All the scales on this lesson are are both mother or father scales or modes derived from mother or father scales.
Observe: I speak about jazz on this lesson, as a result of I’m a jazz guitarist. BUT these modes and workout routines can be utilized by guitarists of any style to open your fretboard and turn into a greater soloist.
Desk of Contents
Click on on any hyperlink to leap on to that subject on this guitar scales and modes information.
Introduction
Main Modes
Melodic Minor Modes
Harmonic Minor Modes
Harmonic Main Modes
Learn how to Use This Guitar Scales Information
The fabric on this information is introduced in a particular order so that you simply use earlier materials to construct the subsequent set of modes.
You start by studying Lydian, then alter one observe at a time to study all seven main modes.
Then, you alter one observe at a time to create each mode of melodic minor, harmonic minor, and harmonic main.
Every scale is introduced so as of most typical, main, to least widespread, harmonic main.
This isn’t to say that you simply shouldn’t examine harmonic main modes. It’s simply that you simply wish to get the commonest modes beneath your fingers first.
You don’t must work these modes within the order given, particularly for intermediate or superior guitarists.
However, for novices it’s finest to begin from the highest.
Lastly, there’s a lifetime of examine right here, so there’s no rush to study each mode instantly.
Go sluggish, take the time to grasp every mode, study it on the guitar, and apply it to soloing workout routines till you’ve internalized that mode to the purpose that you simply received’t neglect it.
From there, transfer on to the subsequent mode.
As effectively, if you happen to neglect a mode, return to that mode and evaluate it in your research.
Expertise Ranges
As there’s a number of data on this information, it’s beneficial that you simply set affordable observe targets on your expertise stage.
That will help you determine the place to start, right here’s a breakdown of the teachings beneath.
Newbie
For gamers simply beginning to discover guitar scales and modes, it’s finest to proceed with the next method.
- Begin with main modes, so as, and work down from there.
- Study every mode within the given key.
- Study two fingerings for every mode, one from the 6th and one from the 5th string.
- Solo over the backing tracks with each fingerings.
- Apply the observe patterns if snug.
Intermediate
Gamers with 1 yr or extra of expertise can method the information with the next targets.
- Evaluate any modes you’ve studied beforehand.
- Study modes you haven’t studied.
- Study all modes in 12 keys.
- Study all 4 fingerings for every mode.
- Study the patterns for every mode.
- Study the lick for every mode.
- Solo with the mode, sample, and lick.
Lesson Group
After a brief introduction and abstract of every mother or father scale, the seven modes in that system are explored intimately.
For every mode, there are 5 sections.
1. Fingerings and Utility
On this part, you discover ways to solo with every mode, and background data for that mode.
This part is a quick intro to the mode, and then it’s unpacked within the sections that observe.
2. Interval Method
Right here, you discover ways to construct every mode by altering one observe from a earlier mode you discovered on this information.
3. Fingerings
On this part, you study 4 fingerings for every mode.
There’s a backing observe so you’ll be able to observe soloing with out having to go away the web page.
4. Follow Patterns
Right here, you study one sample for every mode to improve reminiscence and construct your chops on the similar time.
You may as well take a sample from one mode and apply it to different modes in your research.
5. Guitar Licks
The final part supplies a pattern lick over a standard development.
Every lick is introduced with notation, TAB, and audio to make it simpler to study.
What’s a Guardian Scale?
Earlier than you study these scales, you have to perceive precisely what a mother or father scale is.
Right here’s a definition of a mother or father scale that will help you perceive this time period.
A mother or father scale is a seven-note machine that produces one mode for every of these seven notes.
An instance of a mother or father scale is the key scale, which produces seven modes, one from every observe in that scale.
Because of this if you happen to play the key scale from the basis to root, it’s the key scale.
However, if you happen to play that scale from any of the opposite 6 notes, you produce 6 distinctive scales, that are known as modes.
For instance, if you happen to play a C main scale from C to C, it’s the primary mode of the mother or father main scale, Ionian.
However, if you happen to play the C main scale from D to D, you get D Dorian, the second mode of the key scale.
- C Main – C D E F G A B C D
- Dorian – D E F G A B C D
As you’ll be able to see, these two modes have the identical notes, however sound totally different, as a result of they comprise a unique interval construction.
If modes are a bit shaky for you proper now, don’t fear, you’ll study extra about them within the subsequent part.
The 4 most typical mother or father scales are:
- Main Scale
- Melodic Minor Scale
- Harmonic Minor Scale
- Harmonic Main Scale
On this information, you examine these 4 mother or father scale programs and the seven modes constructed from every mother or father scale.
What’s a Mode?
Now it’s time to study extra about what a mode is and the way it differs from a mother or father scale.
Right here’s a brief definition of a mode that will get this principle beneath your belt.
Modes are constructed by enjoying mother or father scales from every observe; they’ve the identical notes because the mother or father scale, however use totally different intervals.
As you learn within the mother or father scale part, if you happen to play the C main scale from the notes D to D, you produce Dorian.
Although Dorian comprises the identical notes as C main, they’ve distinct sounds when performed on the guitar.
As you’ll be able to see, the key scale and Dorian mode have totally different intervals:
- Main – R 2 Three Four 5 6 7
- Dorian – R 2 b3 Four 5 6 b7
Due to this, the key scale and Dorian are utilized to totally different chords in a soloing state of affairs, main over maj7 and Dorian over m7.
Right here’s a fast information to recollect how modes differ from scales:
Guardian scales and modes share the identical notes, however are used to solo over totally different chords.
This may increasingly nonetheless be a bit fuzzy, particularly if you happen to’re new to studying guitar scales and modes.
To not fear, as you examine the teachings beneath, this principle will turn into clear.
Crucial factor is that you simply apply these modes to the guitar, each from a technical and improvisational standpoint.
Oftentimes principle can be laborious to grasp on paper, however it makes complete sense when performed on the guitar.
Main Scale Modes
You start your examine of modes with the most well-liked, the seven main modes.
These seven modes are used to solo over m7, 7, maj7, and m7b5 chords, masking a number of harmonic floor.
Due to their reputation in trendy music, having a robust maintain on the key modes is important for any guitarist.
Take your time with these modes and apply them to each technical and improvisational conditions.
That will help you observe soloing with these modes, you need to use this main scale modes backing observe playlist.
Main Modes Method
Studying all 7 main modes is hard, as there appears to be an infinite variety of potential fingerings to memorize.
It might appear formidable to memorize all these shapes and hold them organized on the fretboard.
However this doesn’t must be the case. By studying Lydian first, the 4th mode, you’ll be able to alter one observe at a time to create all seven main modes.
Utilizing earlier data, the Lydian mode, to create new data, the opposite six modes, makes this studying course of simpler.
Moderately than studying new shapes for every mode, you’re taking a form , decrease one observe, and voila, new mode.
Right here’s the method to construct all seven main modes the simple method.
- Lydian (Beginning Mode)
- Ionian (Lydian with pure 4)
- Mixolydian (Ionian with b7)
- Dorian (Mixolydian with b3)
- Aeolian (Dorian with b6)
- Phrygian (Aeolian with b2)
- Locrian (Phrygian with b5)
Now that the method used to create all seven main modes from Lydian, you’re able to discover ways to play and solo with every mode.
Lydian Mode Fingerings and Utility
To start your examine of main modes, you’ll study the Lydian mode, the 4th mode of the key scale.
Since Lydian is the 4th mode, it’s like enjoying a G main scale from the observe C, as you’ll be able to see within the instance beneath, and it’s used to solo over Maj7 chords.
This mode outlines the #11 interval, written #Four in when referring to modes, which creates rigidity.
Whereas some gamers get pleasure from this rigidity, it might take time to get used to.
Lydian Mode Interval Method
The Lydian mode is constructed with the next interval sample:
Root-2-3-#4-5-6-7
That is your “beginning place” for all different modes on this lesson, so it’s vital to memorize this method.
After getting this interval sample down, you can create 27 extra modes from one form. Fairly cool proper?
Lydian Mode Fingerings
Now that you understand how to construct Lydian and easy methods to apply it to your solos, listed here are 4 Lydian fingerings.
When studying these fingerings, work them with a metronome and take them to the soloing aspect of your observe routine.
Right here’s a Cmaj7 backing observe you could solo over when studying these Lydian fingerings.
Click on to jam over Cmaj7 
Lydian Mode Follow Sample
You’ll now study a Lydian observe sample, that includes ascending 4th intervals, that may be utilized to any form you study on this lesson.
Click on to listen to Lydian Mode 1
After you’ve discovered this sample, solo with the Lydian mode and add the sample to listen to the way it sounds in a soloing state of affairs.
Lydian Mode Lick
Right here’s a Lydian lick you could examine, work in 12 keys, and apply to your individual guitar solos.
Click on to listen to Lydian Mode 2 
Ionian Mode Fingerings and Utility
Now you’re going to change one observe from Lydian to create the Ionian mode, in any other case often called the key scale.
Ionian is used to solo over Maj7 chords, in an identical solution to Lydian, although with a “softer” sound.
As a result of it’s used over tonic maj7 chords, it’s one of the vital vital modes.
Make sure that to study the fingerings, work the sample, and take Ionian to the soloing aspect of your routine to totally grasp this mode.
Ionian Method
To construct Ionian and its fingerings, you’re going to match it to Lydian.
By adjusting the Lydian mode, you’re not ranging from scratch with the Ionian mode.
This protects time, and makes it simpler to visualise the modes as associated to one another on the fretboard.
Ionian is constructed by decreasing the 4th of Lydian by one fret on the guitar.
As you’ll be able to, these two modes are intently associated, just one observe distinction, however have a novel sound when performed on the guitar.
Click on to listen to Ionian Mode 1 
Ionian Fingerings
You’ll now study 4 fingerings for this mode on the fretboard. Together with working with a metronome, observe soloing over the Cmaj7 backing observe with this mode.
Click on to jam over Cmaj7 
Ionian Mode Follow Sample
To develop the Ionian mode in your working towards, right here’s a sample you could work with a metronome on the fretboard.
Click on to listen to Ionian Mode 2 
In addition to working with a metronome, placed on the Cmaj7 backing observe and solo over that chord with this sample.
Ionian Lick
Right here’s a ii V I lick that makes use of C Ionian over the Imaj7 chord. After you’ve discovered this phrase, work it in 12 keys, and then apply it to your guitar solos.
Click on to listen to Ionian Mode 3 
Mixolydian Mode
You’re going to change one observe from Ionian to create Mixolydian, the 5th mode of the key scale.
Mixolydian is used to solo over 7th chords, which you discover because the V7 chord in a ii V I and the I7, IV7, and V7 in a blues development.
Work Mixolydian in 12 keys and with patterns and soloing workout routines to make sure you’re snug with this vital mode.
Mixolydian Method
As talked about earlier, you’re going to decrease one observe from Ionian to create Mixolydian.
Mixolydian is constructed by decreasing the 7th of Ionian by a half step on the guitar.
As you’ll be able to see, Ionian and Mixolydian are intently associated on the fretboard, just one observe differentiates these two modes.
Click on to listen to Mixolydian Mode 1 
After you’ve listened to the above instance, play Ionian and Mixolydian to visualise that one observe shifting between every mode.
Mixolydian Mode Fingerings
Listed here are 4 Mixolydian fingerings you could work with a metronome at numerous tempos, and a C7 backing observe you could jam over in your research.
Click on to jam over C7 
Mixolydian Mode Follow Sample
Right here’s a sample you could apply to any Mixolydian fingering to extend your fluidity on the fretboard.
This sample is constructed by ascending triads by way of Mixolydian.
Click on to listen to Mixolydian Mode 2 
Mixolydian Mode Lick
Right here’s a line that makes use of Mixolydian over the primary 4 bars of an F blues development.
After you’ve memorized this line, placed on a jazz blues backing observe and apply this to your solos.
Click on to listen to Mixolydian Mode 3 
Dorian Mode
After working towards the three major-based modes, you’ll transfer on to minor based mostly modes, starting with the Dorian mode.
Dorian is used to solo over m7 chords, together with iim7 and Im7, two of probably the most generally seen minor chords.
Dorian’s attribute observe, the pure 6th, distinguishes it from different minor modes within the main scale system, as the remainder comprise a b6.
Dorian Mode Interval Method
Although it could appear unusual, you’re going to create this minor mode by altering one observe of a significant mode, on this case utilizing Mixolydian to create Dorian.
Dorian is constructed by decreasing the threerd of Mixolydian by one fret on the guitar.
When studying Dorian in comparison with Mixolydian, it’s finest to maneuver the b3 to a decrease string to make it smoother on the fretboard.
You’ll be able to see this method beneath, the place the threerd is transferred from the 5th to the 6th strings to create a smoother fingering.
Click on to listen to Dorian Mode 1 
Dorian Mode Fingerings
Now that you simply’ve discovered easy methods to construct and apply Dorian, you’ll study 4 Dorian fingerings on the fretboard.
Make sure that to work these shapes in numerous keys with a metronome to maintain a concentrate on strong rhythm in your mode examine.
Play with the backing observe beneath to take this mode to the soloing aspect of your guitar working towards.
Click on to jam over Cm7 
Dorian Sample
The next sample is used to construct your chops and your understanding of Dorian on the fretboard.
After getting this sample down, solo over a backing observe with Dorian, utilizing this sample in your traces when applicable.
Click on to listen to Dorian Mode 2 
Dorian Lick
Right here’s a lick over the primary 4 bars to Blue Bossa.
Work this line in just a few keys with a metronome, and then placed on a Blue Bossa backing observe and use this line in your solos.
Click on to listen to Dorian Mode 3 
Aeolian Mode
You’ll now discover the Aeolian mode, the 6th mode of the key scale system.
Aeolian is used to solo over m7 chords, principally over Im7 chords versus iim7 chords with Dorian.
Jazzers use Aeolian lower than Dorian as a result of the b6 doesn’t have that attribute minor jazz sound.
It sounds extra like rock than jazz, however it’s nonetheless be an efficient mode to study.
Aeolian Method
As is the case with each mode on this lesson, you’ll construct Aeolian by evaluating it to a beforehand mode, on this case Dorian.
Aeolian is constructed by decreasing the 6th of Dorian by a half step on the guitar.
You’ll be able to see and hear this method within the following instance.
Click on to listen to Aeolian Mode 1
Aeolian Mode Fingerings
Transferring on, listed here are 4 widespread Aeolian fingerings. Start by working one form, then transfer on to the subsequent one from there.
Follow these shapes at totally different tempos with a metronome as a way to hold your rhythms tight with the Aeolian mode.
As effectively, jam with Aeolian over the Cm7 backing observe to take this mode to the soloing aspect of your observe routine.
Click on to jam on Cm7 
Aeolian Mode Follow Sample
Right here’s a observe sample you’ll be able to apply to any Aeolian form.
This sample applies four-note ascending arpeggios to Aeolian. Apply any sample from this text to your Aeolian observe routine to take this mode additional within the woodshed.
Click on to listen to Aeolian Mode 2 
Aeolian Lick
Right here’s a phrase that makes use of Aeolian over the Im7 chord in a minor ii-V-I development.
Work this lick in Am first, earlier than shifting it to different keys. Once you’ve achieved that, write out just a few Aeolian traces of your individual to take this train additional.
Click on to listen to Aeolian Mode 3 
Phrygian Mode
The Phrygian mode, the threerd mode of the key scale, is an attention-grabbing mode when utilized to a solo.
Whereas the commonest use for Phrygian is over m7 chords, bringing a Flamenco sound to your traces, there’s a much less widespread, however cool sounding, method utilized in jazz.
If you wish to add an altered sound to your dominant 7th traces, play Phrygian over any 7th chord.
When doing so, you produce the intervals b9, #9, and b13, however with out the key 3rd. As a result of it’s lacking the threerd, Phrygian has an “open” sound, and is a robust various to the altered or Phrygian dominant scales over 7th chords.
Phrygian Method
Now, you’ll alter one observe in Aeolian to create Phrygian fingerings on the guitar.
Phrygian is constructed by decreasing the twond of Aeolian by one fret on the guitar.
You’ll be able to see this method, together with the interval format for Phrygian, within the following instance.
Click on to listen to Phrygian Mode 1 
Phrygian Fingerings
Listed here are 4 Phrygian fingerings you could observe to take this mode to the fretboard.
In addition to working these fingerings with a metronome, use this C7 backing observe to observe soloing over a dominant chord with Phrygian.
Click on to jam over C7 
Phrygian Sample
Right here’s a observe sample based mostly on ascending 3rd intervals you could work with Phrygian.
Placed on a backing observe and solo utilizing Phrygian, inserting bits of this sample the place applicable to boost your improvisations.
Click on to listen to Phrygian Mode 2 
Phrygian Lick
Right here’s a phrase you could study as you apply C Phrygian to the V7 in a ii-V-I development.
Click on to listen to Phrygian Mode 3 
Locrian Mode
The ultimate mode, the 7th mode of the key scale, known as Locrian.
Locrian is used to solo over m7b5 chords, which you discover because the iim7b5 chord in a minor ii V I development.
Locrian Method
You’ll be able to consider the Locrian mode compared to Phrygian.
Locrian is constructed by decreasing the 5th of Phrygian by one fret on the guitar.
You’ll be able to see this within the following instance, the place you’re taking C Phrygian and decrease the 5th by one fret in every octave to construct a two-octave C Locrian mode.
Click on to listen to Locrian Mode 1
Locrian Fingerings
Listed here are 4 fingerings to study and apply to each the technical and improvisational part of your routine.
Make sure that to make use of a metronome, and right here’s a Cm7b5 backing observe you could solo over in your improvisational research.
Click on to jam over Cm7b5 
Locrian Sample
Right here’s a brand new observe sample you could work over Locrian, or any, mode within the woodshed.
This sample is constructed by enjoying up four-note arpeggios, then down 4 notes of the dimensions, which units you up for the subsequent arpeggio.
Don’t neglect to solo over m7b5 chords with Locrian, utilizing this sample in your solos to carry a technical machine into your improvisational research.
Click on to listen to Locrian Mode 2 
Locrian Lick
Right here’s a ii V I lick in G minor you could add to your soloing vocabulary.
After you’ve discovered this lick, take it to different keys across the fretboard.
Lastly, write out just a few Locrian licks of your individual as you develop upon this mode in your guitar observe routine.
Click on to listen to Locrian Mode 3 
Melodic Minor Modes
Now that you simply discovered the key scale modes, you’ll be able to discover one other important scale system, melodic minor.
Used to solo over m7, maj7, 7, and m7b5 chords, melodic minor is simply as vital as its main cousin.
These modes additionally introduce new harmonies, reminiscent of 7#11, maj7#5, and 7alt.
Whereas the fingering system beneath helps you remodel any main mode right into a melodic minor mode, it takes your ears time to turn into used to those new sounds.
Make sure that to solo with every new mode, in addition to observe with a metronome, as you discover ways to play and improvise with these vital sounds.
Melodic Minor Modes Method
You might realize it’s vital to study melodic minor modes, however it may be formidable to study seven new shapes.
To make this simpler, you need to use earlier data to study these new modes very quickly.
To take action, you decrease one observe of every main mode to supply all seven melodic minor modes.
To start, listed here are the formulation to play every melodic minor mode the simple method.
- MM 1 (Ionian With b3)
- MM2 (Dorian With b2)
- MM3 (Phrygian With b1)
- MM4 (Lydian With b7)
- MM5 (Mixolydian With b6)
- MM6 (Aeolian With b5)
- MM7 (Locrian With b4)
Now that you’ve got an intro to the way you construct melodic minor modes, you look deeper into every mode, the way it’s constructed, and the way you apply it to solos.
Melodic Minor Mode 1
The primary mode of melodic minor is used to solo over m7 chords.
When doing so, you create rigidity with the raised 7th present in that mode.
Whereas some discover this rigidity harsh, others get pleasure from it, so experiment to see how your ears react to this new sound.
When soloing with melodic minor, apply it to the iim7 chord in a significant ii-V-I, or the Im7 chord in a minor ii-V-I, two widespread makes use of for this mode.
Melodic Minor Mode 1 Interval Method
To construct the primary mode of melodic minor, you’re going to match it to Ionian.
When doing so, you decrease one observe in Ionian to type the brand new mode.
Melodic minor mode 1 is constructed by decreasing the threerd of Ionian by a fret on the guitar.
Although they’re just one observe totally different, each modes sound distinctive, as Ionian is main and MM mode 1 is minor.
Lastly, discover that the lowered observe, the threerd, is moved down a string within the first octave.
That is achieved to make the mode simpler to finger on the fretboard.
Click on to listen to Melodic Minor Mode 1
Melodic Minor Mode 1 Fingerings
With the data of easy methods to construct melodic minor mode 1 down, you’ll be able to discover ways to play it on guitar.
Listed here are 4 fingerings for C melodic minor you could memorize.
As effectively, right here’s a Cm7 backing observe to solo over with any fingering beneath.
Click on to jam over Cm7 
Melodic Minor Mode 1 Sample
This sample is constructed by enjoying descending 4th intervals by way of a C melodic minor fingering.
When you’ve labored this sample over the fingering beneath, take it to different shapes to develop this concept in your research.
Click on to listen to Melodic Minor Mode 2
Melodic Minor Mode 1 Lick
Right here’s a lick that makes use of MM mode 1 over the iim7 in a ii-V-I. Discover how the #7 interval creates rigidity, then that rigidity is resolved, making a cool, bebop sound alongside the best way.
Click on to listen to Melodic Minor Mode 3 
Melodic Minor Mode 2
The second mode of melodic minor brings rigidity to your dominant 7th traces.
When doing so, you spotlight a 13sus(b9,#9) sound.
Not the commonest sound, however a cool, exterior sound that creates a quasi-altered chord with out all the time counting on the altered scale.
Melodic Minor Mode 2 Method
When studying to construct the second mode of melodic minor, you employ beforehand discovered materials to create this new mode.
Melodic minor mode 2 is constructed by decreasing the 2nd of Dorian by a fret on the guitar.
Although it’s associated to Dorian, each modes have a persona all their very own.
Click on to listen to Melodic Minor Mode 4 
Melodic Minor Mode 2 Fingerings
Listed here are 4 fingerings you could study to take this mode to the fretboard.
As effectively, right here’s a C7 backing observe to solo with any of those shapes in your research.
Click on to jam over C7 
Melodic Minor Mode 2 Sample
With a number of of those fingerings down, add a scale sample to your research.
Right here’s a descending sample you could observe with a metronome.
Click on to listen to Melodic Minor Mode 5 
Melodic Minor Mode 2 Lick
On this G main ii-V-I, you employ the twond melodic minor mode over D7 within the second bar.
Discover the strain this creates over that chord, earlier than resolving within the subsequent measure.
Click on to listen to Melodic Minor Mode 6 
Melodic Minor Mode 3
You’ll now discover ways to construct, play and apply the third mode of melodic minor, in any other case often called Lydian augmented.
This mode has a #4 and #5, giving it the title Lydian (#4) augmented (#5).
As a result of it additionally has a significant 3 and 7, you employ this mode to solo over maj7 chords.
Melodic Minor Mode Three Method
Now that you simply’re getting used to decreasing one observe of a significant mode to supply melodic minor modes, you’re going to throw a wrench into the works.
The third mode of melodic minor follows the identical method, you decrease one observe of Phrygian to type this mode, solely it’s a wierd observe to decrease.
Melodic minor mode Three is constructed by decreasing the basis of Phrygian by a fret on the guitar.
As you’ll be able to see, you decrease the basis observe to supply the brand new mode fingering.
Because of this to play the third mode of melodic minor from C, you decrease the basis of Db Phrygian.
Right here’s how that appears with C Phrygian and third mode melodic minor.
When doing so, you play the identical notes within the form, however the root has been lowered to create the brand new mode.
Click on to listen to Melodic Minor Mode 7
Melodic Minor Mode Three Fingerings
Listed here are 4 fingerings for the third mode of melodic minor you could study in your research. As effectively, there’s a Cmaj7 jam observe that you need to use to observe soloing with this scale.
Click on to jam on Cmaj7 
Melodic Minor Mode Three Sample
Right here’s a sample that you need to use to raise your method and understanding of the third mode of melodic minor.
The sample options descending triads.
Work this sample in different keys, in addition to use it in your solos to listen to the way it sounds when utilized to a musical state of affairs.
Click on to listen to Melodic Minor Mode 8 
Melodic Minor Mode Three Lick
Right here’s a line you could apply to your solos.
The road makes use of the third mode of melodic minor over the Imaj7 chord in a G main ii V I.
Discover the strain it creates, which is resolved to keep away from sounding too exterior over the Imaj7 chord.
Follow the lick within the given key in addition to taking it to different keys.
Click on to listen to Melodic Minor Mode 9 
Melodic Minor Mode 4
You’re now going to study to play, and apply the Lydian dominant scale, the 4th mode of melodic minor.
This mode is used to solo over 7th chords, bringing a #11(#4) sound to these chords.
Should you’re seeking to hear this mode in motion, take a look at the Sonny Rollins tune “Blue Seven,” which makes use of Lydian dominant within the melody.
Melodic Minor Mode Four Method
To construct a Lydian dominant fingering, you alter one observe from Lydian.
Lydian dominant is constructed by decreasing the seventh observe of Lydian by a fret on the guitar.
You’ll be able to see why this mode known as Lydian dominant; it has the #4 from Lydian and the b7 from dominant 7th chords.
Click on to listen to Melodic Minor Mode 10 
Melodic Minor Mode Four Fingerings
Listed here are 4 fingerings for Lydian dominant you could study and solo with in your improvisations.
As effectively, placed on the observe beneath and solo with these shapes over C7 in your research.
Click on to jam over C7 
Melodic Minor Mode Four Sample
Right here’s a sample you could add to any fingering you’ve discovered to this point.
The sample is constructed by enjoying 4321 from every observe within the mode, then 5678 descending that very same mode.
As soon as you’ll be able to play this sample, placed on a backing observe and add this sample to your solos.
Click on to listen to Melodic Minor Mode 11 
Melodic Minor Mode Four Lick
Right here’s a line that makes use of this mode over every chord within the first 4 bars of an F blues development.
Memorize this line, apply it to your solos, and then write out traces of your individual utilizing this mode over numerous progressions.
Click on to listen to Melodic Minor Mode 12 
Melodic Minor Mode 5
The fifth mode of melodic minor is expounded to Mixolydian, and is used to solo over dominant 7th chords.
When including this mode to your solos, you create a 7b13 sound over 7th chords.
Melodic Minor Mode 5 Interval Method
To construct the fifth mode of melodic minor, you alter one observe from Mixolydian.
Melodic minor mode 5 is constructed by decreasing the sixth of Mixolydian by a fret on the guitar.
Right here’s how these two modes look as a way to examine them from a fingering perspective.
Click on to listen to Melodic Minor Mode 13 
Melodic Minor Mode 5 Fingerings
Listed here are 4 fingerings for Mixolydian b13 you could work out throughout the fretboard.
After you’ve discovered these fingerings, placed on the backing observe and jam over that chord.
Click on to jam on C7 
Melodic Minor Mode 5 Sample
Right here’s a sample you could add to your observe routine.
The sample is makes use of descending arpeggios by way of the mode, each ascending and descending.
Click on to listen to Melodic Minor Mode 14 
Melodic Minor Mode 5 Lick
Right here’s a phrase over the primary 4 bars of an F blues development.
After you’ve discovered this line, write out your individual, earlier than taking this concept to different areas of your soloing observe routine.
Click on to listen to Melodic Minor Mode 15 
Melodic Minor Mode 6
The second final mode of melodic minor, the 6th mode, is used to solo over m7b5 chords.
Whereas it may be a substitute for Locrian, it’s robust to make use of this mode and not sound like a mistake.
As you’ll see on this part, the pure 9 will be robust to navigate.
So, take your time, study the pattern line, and go sluggish with this mode at dwelling earlier than taking it to a jam session.
Melodic Minor Mode 6 Method
To construct the sixth mode of melodic minor, you alter one observe from Aeolian.
Melodic minor mode 6 is constructed by decreasing the fifth of Aeolian by a fret on the guitar.
Although the fingering is expounded to Aeolian, you employ the sixth mode of melodic minor to solo over m7b5 chords.
When doing so, you have to watch out how you employ the pure 9, as that observe is the key Three of the important thing middle when enjoying a minor ii-V-I.
This causes rigidity, and feels like a mistake if not achieved proper.
So, make sure that to experiment with this mode over m7b5 chords at dwelling earlier than bringing it to a gig.
Click on to listen to Melodic Minor Mode 16 
Melodic Minor Mode 6 Fingerings
Now that you understand how to construct the sixth mode of melodic minor, you’ll be able to study this mode on the guitar.
Listed here are 4 fingerings you could study and apply to your research.
Click on to jam over Cm7b5 
Melodic Minor Mode 6 Sample
Right here’s a sample you could apply to any fingering you’ve discovered for this mode.
The sample is constructed by working descending 3rds by way of the dimensions.
Click on to listen to Melodic Minor Mode 17 
Melodic Minor Mode 6 Lick
Right here’s a lick over the iim7b5 chord in a minor ii-V-I development.
Study the lick within the authentic key, then work it in different keys, earlier than making use of it to your solos.
Click on to listen to Melodic Minor Mode 18 
Melodic Minor Mode 7
Some of the well-liked modes on any instrument, the seventh mode of melodic minor is also called the altered scale.
Creating rigidity over 7th chords, this mode is used over each main and minor ii-V-I’s, blues, rhythm modifications, and nearly any development you’ll be able to consider.
It takes time to get used to the tensions on this mode.
However, with observe, you’ll apply this mode with confidence to your solos.
Melodic Minor Mode 7 Method
To construct the altered scale, you alter one observe of the Locrian mode on the fretboard.
The altered scale is constructed by decreasing the 4th of Locrian by a fret on the guitar.
Although it’s associated to Locrian, you apply it to dominant 7th chords the place you wish to usher in b9,#9,b5, and #5 intervals.
Click on to listen to Melodic Minor Mode 19 
Melodic Minor Mode 7 Fingerings
Listed here are 4 fingerings to get you began with this mode on the fretboard.
Work these shapes in numerous keys, and apply them to a jam observe to get a really feel for a way they sound on guitar.
Click on to jam over C7alt 
Melodic Minor Mode 7 Sample
Right here’s a sample you could apply to any of fingerings for the Altered Scale.
The sample is constructed by alternating 4 scale notes with arpeggios.
Click on to listen to Melodic Minor Mode 20 
Melodic Minor Mode 7 Lick
Right here’s a lick you could us over the V7alt chord in a minor key ii-V-I.
Work this line in numerous keys, and then put it into your soloing over a track or are engaged on.
Click on to listen to Melodic Minor Mode 21 
Harmonic Minor Modes
After you’ve labored on main and melodic minor, you’ll be able to develop into harmonic minor.
These modes provide exterior the field sounds to discover, such because the Maj7#9 and Maj7#5nat4.
Moreover the unique sounds, you discover classics reminiscent of the first and the fifth mode, that are a staples of jazz, fusion and different well-liked musical genres.
Examine these modes out, you may not use each one, however you by no means know what you’ll uncover with these new modal colours.
Harmonic Minor Modes Method
Although not as widespread as main and melodic minor, there are important harmonic minor modes.
There are additionally attention-grabbing sounds sounds that push your soloing in new instructions.
To start, listed here are formulation for harmonic minor modes as in comparison with their main mode counterparts.
Use this chart to construct harmonic minor modes on guitar the simple method.
- HM 1 (Aeolian With #7)
- HM 2 (Locrian With #6)
- HM 3 (Ionian With #5)
- HM 4 (Dorian With #4)
- HM 5 (Phrygian With #3)
- HM 6 (Lydian With #2)
- HM 7 (Mixolydian With #1)
Now that you simply’ve explored formulation for constructing each harmonic minor mode, you’ll be able to take that data to the fretboard.
Harmonic Minor Mode 1
That is the mother or father scale from which all harmonic minor modes are constructed, and it’s used to improvise over m7 chords, highlighting a mMaj7 sound.
Harmonic Minor Mode 1 Interval Method
Step one is to discover ways to take a beforehand discovered mode and alter one observe to create this new minor mode.
Harmonic minor mode 1 is constructed by elevating the 7th of Aeolian by a half step on the guitar.
This mode has each b6 and #7 intervals, creating a novel sound when utilized to m7 chords.
Due to this, melodic minor and Dorian are used extra typically in jazz guitar.
That’s to not say you’ll be able to’t use it in a jazz context, however watch out, because it creates a rock really feel when utilized to m7 chords.
Listed here are these two modes again to again to see how one observe makes a giant distinction with this mode.
Click on to listen to Harmonic Minor Modes 1
Harmonic Minor Mode 1 Fingerings
Now that you understand how to construct and apply this mode, listed here are 4 shapes you could apply to the fretboard.
To get probably the most out of your observe, jam with the observe after you’ve discovered these shapes.
For an additional problem, take these shapes to different keys in your working towards.
Click on to jam over Am7 
Harmonic Minor Mode 1 Sample
Top-of-the-line methods to internalize shapes is to use a sample to any scale you’re engaged on.
Right here’s a observe sample you could apply to the primary mode of harmonic minor.
The sample is constructed by ascending 3rds by way of the form on this, and different, keys on the guitar.
Click on to listen to Harmonic Minor Modes 2 
Harmonic Minor Mode 1 Lick
Right here’s a lick you’ll be able to study over an Am7 chord, which makes use of A harmonic minor to create rigidity.
Click on to listen to Harmonic Minor Modes 3 
Harmonic Minor Mode 2
You’ll now discover a lesser-used harmonic minor mode, however one which provides curiosity to your m7b5 traces.
Because it comprises the intervals 1-b3-b5-b7, it’s used to solo over m7b5 chords.
Harmonic Minor Mode 2 Method
The second mode of harmonic minor is expounded to Locrian, and constructed by altering one observe of that mode.
The harmonic minor 2nd mode is constructed by elevating the 6th of Locrian by one fret on the guitar.
Listed here are these two modes again to again to listen to how that one observe makes a giant distinction within the sound of every mode.
Click on to listen to Harmonic Minor Modes 4 
Harmonic Minor Mode 2 Fingerings
Now that you understand how to construct and apply this mode, listed here are 4 fingerings for the HM 2 mode.
Work every fingering with a metronome, and then add within the sample beneath if you’re prepared.
Click on to jam on Am7b5 
Harmonic Minor Mode 2 Sample
To increase your chops with this mode, right here’s a descending 3rds sample utilized to the 6th-string fingering.
Work this sample with a metronome, and take it to your solos when prepared.
Click on to listen to Harmonic Minor Modes 5 
Harmonic Minor Mode 2 Lick
Right here’s a lick that options the HM 2 mode over the iim7b5 chord in a ii V I in G minor.
Discover how the F#, #6, stands out within the line. It’s the threerd of the subsequent chord, D7alt, so it sounds such as you’re that chord for 2 bars.
Click on to listen to Harmonic Minor Modes 6 
Harmonic Minor Mode 3
You’ll now discover a mode that brings a brand new sound to your maj7 traces, the place you wish to usher in a #5 sound to maj7 chords.
It’s much like the third mode of melodic minor that you simply noticed earlier.
Although right here, there’s a pure 4th, relating it to Ionian as effectively.
Harmonic Minor Mode Three Method
Now that you understand how to use the third mode of harmonic minor, you’ll alter one observe within the main scale to type this mode.
Harmonic Minor mode Three is constructed by elevating the 5th of Ionian by a one fret on the guitar.
Listed here are these two modes again to again as a way to see how they’re comparable and totally different on the fretboard.
Click on to listen to Harmonic Minor Modes 7 
Harmonic Minor Mode Three Fingerings
Listed here are 4 fingerings for the third mode of harmonic minor.
After you’ve discovered these fingerings, placed on the backing observe and solo as you experiment with this new sound.
Click on to jam over Amaj7 
Harmonic Minor Mode Three Sample
To develop on this mode, you’ll add a sample to the fingerings you’ve discovered to this point.
This sample alternates 3rds, which you’ll be able to see and hear within the instance beneath.
When you’ve discovered this sample, take it to different keys and fingerings as you develop this chops builder in your research.
Click on to listen to Harmonic Minor Modes 8 
Harmonic Minor Mode Three Lick
Right here’s a lick that includes the third mode of harmonic minor over the Imaj7 chord a ii V I.
Click on to listen to Harmonic Minor Modes 9 
Harmonic Minor Mode 4
The fourth mode of harmonic minor provides rigidity to your m7 traces. Comparable to Dorian, HM Four has a #4, which makes it sound distinctive in comparison with Dorian.
Harmonic Minor Mode Four Method
You’ll now discover ways to construct the fourth mode of harmonic minor by evaluating it to Dorian.
Harmonic minor mode Four is constructed by elevating the 4th of Dorian by one fret on the guitar.
Listed here are these two modes again to again to match on the fretboard.
Click on to listen to Harmonic Minor Modes 10 
Harmonic Minor Mode Four Fingerings
Listed here are 4 fingerings to use this mode to the fretboard.
After getting a number of of those shapes down, apply them to a soloing state of affairs.
Click on to jam over Am7 
Harmonic Minor Mode Four Follow Sample
Right here’s a sample that you need to use over any harmonic minor mode Four fingering.
The sample is constructed by alternating descending and ascending 3rds over every observe within the scale.
After getting this sample down, apply it to your solos to carry this sample to an improvisational state of affairs.
Click on to listen to Harmonic Minor Modes 11 
Harmonic Minor Mode Four Lick
Right here’s a lick to listen to this mode used over the iim7 chord in a ii V I.
Discover how the #Four is utilized in a sample, utilizing rigidity with out drawing an excessive amount of consideration to that observe.
Click on to listen to Harmonic Minor Modes 12 
Harmonic Minor Mode 5
You’ll now examine probably the most generally used harmonic minor mode, the fifth mode.
Used to solo over 7th chords, this mode brings a 7b9,b13 sound to your traces.
As a result of it’s intently associated to Phrygian, however used over 7th chords, it’s known as Phrygian dominant.
Harmonic Minor Mode 5 Method
Now that you understand how to use this mode, you’ll be able to discover ways to construct this mode by evaluating it to Phrygian.
Phrygian dominant is constructed by elevating the threerd of Phrygian by one fret on the guitar.
Listed here are these two modes again to again on the fretboard for comparability.
Click on to listen to Harmonic Minor Modes 13 
Harmonic Minor Mode 5 Fingerings
Now that you understand how to construct and apply this mode, it’s time to take it to the fretboard.
Listed here are 4 fingerings you could work with each a metronome and over the backing observe.
Click on to jam over A7 
Harmonic Minor Mode 5 Follow Sample
Right here’s an ascending 3rds sample you could work with a metronome and jam with over a backing observe to listen to the way it sounds in your solos.
Click on to listen to Harmonic Minor Modes 14 
Harmonic Minor Mode 5 Lick
Right here’s a lick that makes use of Phrygian dominant over the A7 chord in a ii V I.
Discover how this mode creates rigidity over the V7 chord, which is resolved on the Imaj7.
Phrygian dominant is a robust software, but when it’s not resolved, it sounds misplaced in your solos.
Click on to listen to Harmonic Minor Modes 15 
Harmonic Minor Mode 6
The sixth of harmonic minor produces a maj7#9 sound. As a result of the #9 observe can also be a b3, this mode brings a blues sound to your solos.
Whereas it could not turn into an everyday mode in your solos, it’s a good second alternative maj7 mode to discover.
Harmonic Minor Mode 6 Interval Method
You construct this mode by evaluating it to Lydian.
Harmonic minor mode 6 is constructed by elevating the twond of Lydian by one fret on the guitar.
Listed here are these modes again to again to see how they’re comparable, however sound totally different.
Click on to listen to Harmonic Minor Modes 16 
Harmonic Minor Mode 6 Fingerings
Listed here are 4 fingerings that you need to use together with your examine of this mode on the fretboard.
After studying these shapes, solo with these fingerings in your observe routine.
Click on to jam over Amaj7 
Harmonic Minor Mode 6 Sample
You’ll now apply a descending 3rds sample to the sixth mode of harmonic minor.
Make sure that to work this sample in a number of keys, with a metronome, and in your solos.
Click on to listen to Harmonic Minor Modes 17 
Harmonic Minor Mode 6 Lick
Right here’s a line that makes use of this mode over the Imaj7 chord in a ii V I.
Discover how the #2 stands out, however it sounds bluesy on this context.
That is the place you employ this mode most successfully, if you wish to carry a blues sound to a maj7 chord.
Click on to listen to Harmonic Minor Modes 18 
Harmonic Minor Mode 7
The seventh of harmonic minor is a wierd one. It’s used to solo over dim7 chords, and is expounded to Mixolydian, however with an altered root.
As was the case with Phrygian b1, this may be tough, so consider it as a fingering choice.
Should you take any Mixolydian form, and decrease the basis by a fret, you get the 7th mode of harmonic minor.
They aren’t associated so far as utility, however you relate them on the fretboard to make it simpler to study this new mode.
Harmonic Minor Mode 7 Method
With the speculation of easy methods to apply this mode down, you’ll discover ways to construct the seventh mode of harmonic minor by altering one observe of Mixolydian.
The 7th mode of harmonic minor is constructed by elevating the basis of Mixolydian by one fret on the guitar.
Listed here are these modes aspect by aspect to match on the fretboard.
Click on to listen to Harmonic Minor Modes 19 
Harmonic Minor Mode 7 Fingerings
Listed here are 4 fingerings to start learning the seventh mode of harmonic minor on the guitar.
Make sure that to run them with a metronome and solo over the backing observe to take these shapes to the improvisational aspect of your research.
Click on to jam on Adim7 
Harmonic Minor Mode 7 Sample
Right here’s an alternating 3rds sample you could apply to any fingering for this mode.
After you play this sample with a metronome, use it in your soloing observe as effectively.
Click on to listen to Harmonic Minor Modes 20 
Harmonic Minor Mode 7 Lick
Right here’s a line that makes use of the seventh mode of harmonic minor over an Adim7 chord.
Click on to listen to Harmonic Minor Modes 21
Harmonic Main Modes
Harmonic main isn’t the commonest modal system, however this it produces important sounds that you simply want in your enjoying.
Take your time when working these guitar scales, as you may not see speedy utility for these modes in your enjoying,
However, with time, new doorways open up, and you discover that these much less widespread sounds creep into your solos.
Harmonic Main Modes Method
You study the seven modes of harmonic main by evaluating them to modes of the key scale.
By taking every main mode, and altering one observe, you create all seven harmonic main modes.
Use this information to construct harmonic main modes the simple method.
- HMaj 1 (Ionian With b6)
- HMaj 2 (Dorian With b5)
- HMaj 3 (Phrygian With b4)
- HMaj 4 (Lydian With b3)
- HMaj 5 (Mixolydian With b2)
- HMaj 6 (Aeolian With b1)
- HMaj 7 (Locrian With b7)
Now it’s time to take these modes to the fretboard as you construct every mode, apply it to your solos, and observe patterns and licks.
Harmonic Main Mode 1
The primary mode of harmonic main is likely one of the hottest modes on this system, and is used to solo over maj7 chords.
When doing so, you create a maj7b6 sound in your solos.
After studying this mode, solo over maj7 chords and alternate Ionian and first mode of harmonic main as you examine these sounds in your enjoying.
Harmonic Main Mode 1 Method
You’ll now discover ways to alter Ionian to create this new form on the fretboard.
Harmonic main mode 1 is constructed by decreasing the 6th observe of Ionian by one fret on the guitar.
Listed here are each of these modes aspect by aspect to see how they’re comparable, however sound totally different on the guitar.
Click on to listen to Harmonic Main Modes 1 
Harmonic Main Mode 1 Fingerings
Now that you understand how construct the primary mode of harmonic main, take that data to the fretboard.
To start, study the next fingerings to check harmonic main mode 1 throughout the fretboard. Right here’s a jam observe to observe soloing with any this mode in your research.
Click on to Jam on Cmaj7 
Harmonic Main Mode 1 Follow Sample
Right here’s an ascending 3rds sample to work over this mode with a metronome.
After you’ll be able to play this sample with a metronome, add it to your improvised solos.
Click on to listen to Harmonic Main Modes 2 
Harmonic Main Mode 1 Lick
Right here’s a line that makes use of this mode over the Imaj7 chord in a ii V I.
Discover how the b6 stands out, however resolves to sound exterior just for a cut up second within the line.
Click on to listen to Harmonic Main Modes 3 
Harmonic Main Mode 2
Transferring on to the second mode of harmonic main.
As a result of it’s associated to Dorian, it outlines a m7 chord in your guitar solos.
What makes this mode price studying is the b5, which brings a blues vibe to your traces, as b5 is a blues observe.
Harmonic Main Mode 2 Method
You’ll now discover ways to construct the second mode of harmonic main as in comparison with Dorian.
Harmonic main mode 2 is constructed by decreasing the fifth of Dorian by one fret on the guitar.
Listed here are these two modes again to again to see how these shapes are associated, however have distinctive sounds all their very own.
Click on to listen to Harmonic Main Modes 4 
Harmonic Main Mode 2 Fingerings
After studying easy methods to construct and apply the twond mode of harmonic main, take it to the fretboard utilizing the next fingerings.
When you’ll be able to play these fingerings from reminiscence, solo over the Cm7 observe earlier than taking it to different keys in your research.
Click on to jam on Cm7 
Harmonic Main Mode 2 Sample
Right here’s a descending 3rds sample to assist construct your chops with the second mode of harmonic main.
After you’ve labored this sample over the next fingering, take it to different shapes.
When snug, apply this sample to your solos to listen to the way it sounds in a soloing context.
Click on to listen to Harmonic Main Modes 5 
Harmonic Main Mode 2 Lick
Right here’s a line that makes use of that mode to stipulate the Cm7 chord in a ii V I in Bb.
Discover how the b5, Gb, sounds just like the blues.
That is the rationale this mode is price studying, it feels like Dorian meets blues over m7 chords.
Click on to listen to Harmonic Main Modes 6 
Harmonic Main Mode 3
One of many extra widespread harmonic main modes, the threerd mode is used over 7th chords.
When doing so, you spotlight the b9, #9, and b13 intervals.
As you’ll be able to see, this mode creates rigidity.
So, engaged on resolving that rigidity is as vital as studying easy methods to play this mode.
Harmonic Main Mode Three Method
You alter one observe from Phrygian to create the third mode of harmonic main.
Harmonic main mode Three is constructed by decreasing the 4th of Phrygian by one fret, on the guitar.
Listed here are these two modes again to again as a way to hear how they sound on the guitar.
Click on to listen to Harmonic Main Modes 7 
Play by way of each modes again to again to visualise their similarities, and hear their variations.
Harmonic Main Mode Three Fingerings
Now study a number of of the next fingerings to take that mode to the fretboard.
After you’ve labored out any fingering, placed on the C7 backing observe and solo with these shapes.
Click on to jam over C7 
Harmonic Main Mode Three Sample
Now observe an alternating 3rds sample over any fingering for the third mode of harmonic main.
After you’ve labored this sample with a metronome, carry it to your improvised solos over 7th chords.
Click on to listen to Harmonic Main Modes 8 
Harmonic Main Mode Three Lick
You also can examine a pattern line that options the third mode of harmonic main over the V7 chord in a ii V I.
Discover how a lot rigidity is created by this mode, which is resolved on the Imaj7 chord.
This mode is a enjoyable alternative over 7th chords, however it creates a number of rigidity. So work on resolving this mode so it retains that hip sound and doesn’t sound like a mistake.
Click on to listen to Harmonic Main Modes 9 
Harmonic Main Mode 4
The fourth mode of harmonic main is used to solo over m7 chords if you need to transcend Dorian.
When doing so, you carry the #Four interval, a blues observe, into your traces.
After you’ve discovered this mode, placed on a m7 backing observe and alternate Dorian and fourth mode harmonic main to match these sounds in a soloing state of affairs.
Harmonic Main Mode Four Interval Method
With a purpose to shortly construct the fourth mode of harmonic main, decrease one observe from Lydian.
The 4th mode of harmonic main is constructed by decreasing the third of Lydian by one fret on the guitar.
Listed here are these two modes again to again to see how they’re associated fingering clever, however produce totally different sounds on guitar.
Click on to listen to Harmonic Main Modes 10 
Harmonic Main Mode Four Fingerings
Listed here are 4 fingerings you could examine and study in 12 keys.
As soon as you’ll be able to play these fingerings, solo over Cm7 with the fourth mode of harmonic main to work it in a soloing context.
Click on to jam over Cm7 
Harmonic Main Mode Four Sample
Right here’s an alternating 3rds sample to use to the 4th mode of harmonic main as a way to construct your guitar chops as you study this mode.
After getting this sample beneath your fingers, placed on a backing observe and apply it to your solos.
Click on to listen to Harmonic Main Modes 11 
Harmonic Main Mode Four Lick
Right here’s a lick that includes the fourth mode of harmonic main over the Im7 in a minor ii V I. This mode creates rigidity over any m7 chord, and it must be resolved when utilized to your solos.
Click on to listen to Harmonic Main Modes 12 
Harmonic Main Mode 5
That is the commonest harmonic main mode, because it’s used to solo over 7th chords if you wish to spotlight solely the b2 (b9) interval. Because it’s associated to Mixolydian, transfer between each modes in your solos to construct this new sound in your ears.
Harmonic Main Mode 5 Method
You’ll now discover ways to construct the fifth mode of harmonic main by evaluating it to Mixolydian.
Harmonic main mode 5 is constructed by decreasing the 2nd observe of Mixolydian by one fret on the guitar.
Right here’s Mixolydian and fifth mode harmonic main again to again to listen to how they examine.
Click on to listen to Harmonic Main Modes 13 
Play by way of each fingerings again to again to match these shapes, and their sounds, in your enjoying.
Harmonic Main Mode 5 Fingerings
You’re now able to study fifth mode harmonic main fingerings.
When you’ve discovered these fingerings, solo over C7 to listen to the way it sounds when utilized to an improvisation.
Click on to jam on C7 
Harmonic Main Mode 5 Sample
Right here’s an ascending 3rds sample you could apply to different fingerings in your observe routine.
After you’ve labored this sample with a metronome, add it to the soloing aspect of your research.
Click on to listen to Harmonic Main Modes 14 
Harmonic Main Mode 5 Lick
Now you can study a line that options the fifth mode of harmonic main in a ii V I.
Discover how comparable this mode is to Mixolydian, however the one observe distinction creates curiosity in your solos.
Click on to listen to Harmonic Main Modes 15 
Harmonic Main Mode 6
The sixth mode of harmonic main is used to solo over maj7 chords the place you spotlight the #9, #4, and #5.
Due to these intervals, this mode is tense and ought to be handled with warning.
Should you select to make use of this mode, work on resolving these tensions in order that they don’t sound like errors in your traces.
Harmonic Main Mode 6 Interval Method
With each modal system past main, there’s all the time one mode the place the basis is raised or lowered; that is that mode for harmonic main.
Harmonic main mode 6 is constructed by decreasing the basis of Aeolian mode by one fret on the guitar.
Listed here are these modes again to again to visualize their relationship on the fretboard, in addition to hear how they sound in comparison with each other.
Click on to listen to Harmonic Main Modes 16 
Harmonic Main Mode 6 Fingerings
Take this mode to the fretboard by studying the next 4 fingerings.
When you’ve labored out these shapes, placed on the backing observe and take them to your solos.
Click on to jam over Cmaj7 
Harmonic Main Mode 6 Sample
Right here’s a descending 3rds sample you could apply to sixth mode harmonic main form.
After you’ve discovered it with a metronome, placed on a backing observe and use this sample in your solos.
Click on to listen to Harmonic Main Modes 17 
Harmonic Main Mode 6 Lick
Right here’s a lick with the sixth mode of harmonic main used to stipulate the Imaj7 chord in a ii V I.
Discover that by resolving the #5 interval as much as the 6th, the road ends on an inside sound.
Click on to listen to Harmonic Main Modes 18 
Harmonic Main Mode 7
To complete up harmonic main, you’ll study a bit used, however cool sounding, mode that’s utilized to dim7 chords.
With any uncommon mode, dip your toes into this sound, see the way it sounds to you, and go from there.
You by no means know when an unusual mode makes its method into your enjoying, so see how this mode suits into your ears.
Harmonic Main Mode 7 Method
To construct the seventh mode of harmonic main, you examine it to Locrian.
Harmonic main seventh mode is constructed by decreasing the 7th observe of Locrian by one fret on the guitar.
Listed here are these two modes again to again so that you can observe and take heed to as a comparability.
Click on to listen to Harmonic Main Modes 19 
Harmonic Main Mode 7 Fingerings
With the data of easy methods to construct and apply this mode, you’ll discover ways to play the seventh mode of harmonic main.
As effectively, placed on the backing observe and solo utilizing the fingerings from this part.
Click on to jam over Cdim7 
Harmonic Main Mode 7 Sample
Right here’s an alternating 3rds sample to construct your chops with this mode.
After you’ll be able to play this sample, placed on the backing observe and apply it to your solos.
Click on to listen to Harmonic Main Modes 20 
Harmonic Main Mode 7 Lick
On this line, you apply seventh mode harmonic main to the Cdim7 in a passing diminished development.
This mode received’t sound as pure because the diminished scale, however it’s a pleasant second alternative.
Click on to listen to Harmonic Main Modes 21 